Title: Learning to Waltz
Author: Kerryn Reid
Genre: Regency Historical Romance
Book Blurb:
"A stunning and refreshing novel in the Regency genre."First Place Regency, Chatelaine Awards (Chanticleer Book Reviews)
Deborah Moore has learned her lessons well—feel nothing, reveal less, and trust no one. Now widowed with a child of her own, she leads a lonely, cloistered existence, counting her farthings and thinking she is safe. When five-year-old Julian is lost one bitter December day, she discovers how tenuous that safety is.
Evan Haverfield has lived thirty carefree years, hunting, laughing, and dancing among London's high society. His biggest problem has been finding excuses not to marry. But his life changes when he finds Julian Moore half-frozen under a hedge and carries him home to his mother. The young widow hides behind a mask, hard and reserved, but Evan sees glimpses of another woman, wistful, intelligent, and passionate. She's vulnerable, desirable—and completely unsuitable for the heir to Northridge.
Alone in the earliest hours of a new year, Evan teaches Deborah to waltz. Can he teach her joy and laughter? Can his love sweep away the shadows of her past and reveal the luminous woman she could be?
Excerpt:
The church bell tolled midnight and then pealed insistently in celebration of 1817. She must go downstairs, bank the fire in the parlor, and snuff out the candles. Then she must remove this ridiculous garb and go to bed. She would alter the gown for day-wear or, better yet, use the fabric for a new nightdress. Then no one need see her in this color.
It was difficult, for some reason, to get up from the dressing table and set these events in motion. The mirror frowned at her, as reluctant as she was to give up altogether on pretty gowns, and dancing, and—
A knock sounded downstairs, startling the night. Everyone in town should be at the ball, celebrating the hopes and possibilities of the new year. More likely than not, it was some village youth ringing all the bells on the street. Another grimace at her reflection, and she went softly down the stairs in her old dance slippers.
Mr. Haverfield—Evan—waited on her doorstep in the cold. If not some prankster, who else could it have been. His narrowed eyes bored into hers, two creases cutting deep between his scowling brows. He brushed past her into the hall. She shivered in the cold air and shut the door.
“Why are you at home? I’ve been waiting for you.”
“I—”
“You said when I saw you last that you would be there tonight.”
Teeth clenched, she dug her fingers like claws into the silk at her hips.
“No, sir.” She knew he hated it when she called him sir. “If you examine your memory, you will find I did not commit myself one way or the other.”
“You did. You said—” His mouth, twisted with anger, closed tight. He turned on his heel, took two steps across the hall, and slapped his gloves down on the table. His hat followed, more deliberately. Then he hung his greatcoat on a hook and turned to face her. The scowl was gone, replaced by something bleak and somber. She would rather have faced the anger.
“I stand corrected,” he said at last. “But surely you intended to go. Your gown and your hair … you look lovely. That color is very becoming.”
“No, I never did.” He looked alarmingly handsome himself in formal black and white, with a touch of burgundy and silver in his waistcoat. But she would not say so.
“Then why are you dressed this way?”
Deborah shrugged her shoulders and turned away into the parlor. Not only was she a fool, she’d been caught out in her foolishness. “I just…”
“Just what?”
“I don’t know. I was curious to see if the gown still fit me. Reliving the past, I suppose.”
She crossed the parlor to stir greater life into the fire. A window facing the street stood open a couple of inches, and the room was cold. Evan took the poker from her hands and did it for her.
“Shall I close the window?”
She shrugged again. “I opened it so I could hear the music.”
“It’s the supper break now, but they’ll be starting up again shortly.”
Leaving the window open, he sat down on the sofa, obliging her to sit as well. She chose a chair as far away from him as possible.
He settled in, for all the world as though this was a morning call. “How is Julian? I trust he took no harm from his outing the other day?”
“He is well, thank you.” She looked at her hands, folded in her lap. They looked relaxed enough. To break the silence, she said, “I expect everyone is quite merry at the inn. Did you enjoy the dancing? Or do you prefer the card room?” All she really wanted to know was whether he had danced, and with whom, but she would not expose herself so patently.
“I wanted to waltz with you,” Evan said.
That startled a laugh from her. “You should be glad I wasn’t there, then. I would surely have embarrassed us both. I don’t even know the steps.”
He shifted to the edge of his seat, one hand on his knee, eyebrows raised in astonishment. “You’ve never waltzed?”
Anger pricked her again. Her voice sounded harsh. “Just when would I have learned it, sir?” And why?
“You were waiting for approval from the patronesses at Almack’s, no doubt.”
She examined his expression, saw the quirk of his lips and the gleam in his eyes that meant he was teasing, and smiled a little. “Frankly, I’ve no reason to know how to waltz, sir.”
“Nonsense. It’s fun. I’ll show you.”
He rose and cleared a space in the room. Good gracious, did he mean right now?
She sat frozen on the sofa. But when Evan came to her, and bowed over her hand and asked for this dance, she humored him. Just more play-acting.
It was colder away from the fire, but his hands were warm where they touched her. She laid one hand on his shoulder as directed. Suddenly shy, she looked up into his face. How scandalous! How wonderful.
He talked as he set her in motion, describing the movements and counting out the time, allowing her to watch his feet for a few minutes. She compared her present teacher with Mr. Aston, her gin-soaked dancing master in Plymouth, and giggled. The sound of it shocked her. When was the last time she giggled?
Evan laughed. He lifted her chin with their joined hands. “Now look at me.” He hummed a tune while she became a bit more comfortable with the steps and turns. Then the musicians returned to their labors up the street. Conveniently, they began with a waltz.
It was too soft to hear properly, and the sound drifted with the wind. But the rhythm was easy enough to catch, and she infinitely preferred dancing with him in private where no one could see her blush.
In the near-darkness, hopefully Evan couldn’t, either.
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What makes your featured book a must-read?
My goal is always to present characters and circumstances authentic to the Regency period. In Learning to Waltz, Deborah and Evan are mismatched in social status—nothing new there. It’s the characters that set it apart and the tender, increasingly fraught interactions between them over her young son’s sickbed. Besides all that, Evan may just be the perfect man!
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Author Biography:
First Place for Regency, Chatelaine Awards for Historical Romance (Chanticleer Books)
Gold Medal for Romance, Royal Palm Awards (Florida Writers Assoc.)
Silver Medal for Romance, President's Book Awards (Florida Authors & Publishers Assoc.)
Crowned Heart of Excellence, InD'tale Magazine
Top Pick, The Romance Reviews
Raised in a New England college town, Kerryn inherited her mother’s passion for the British Isles. At seventeen, she roamed the Rock of Cashel after-hours with her first love, a local Irish lad. So illicit, so romantic… and so unsustainable. Instead she married her college sweetheart and wound up in Florida, where they’ve lived long enough to feel like natives.
But a piece of Kerryn's heart still lives "across the pond" where so many adventures took place—as well as the Regency romances she loves. So when the itch to write needs scratching, that's where her imagination goes to create another tender, heartfelt historical romance about love, fear, and persistence. Enjoy the journey to a new happy-ever-after!
Social Media Links:
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