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Yokai Enchantments by Margaret L. Carter is a Trick or Treat Bonanza pick #pnr #paranormalromance #spookyreads #giveaway



Title: Yokai Enchantments

Author: Margaret L. Carter

 

Genre: Paranormal romance

 

Book Blurb:

 

“Yokai Magic”: When Val unearths a Japanese scroll and a cat figurine inherited from her grandfather, magic invades her world. The statuette, actually a cat spirit named Yuki, a yokai enchanted into that form for her own protection, comes to life. With her old high-school boyfriend, Val searches for a way to vanquish the threat from the spirit realm, while facing the attraction they thought they’d long since put behind them. “Kitsune Enchantment”: On the verge of losing her job, Shannon leaps at the chance to sell her graphic novel series to a major publisher. She’d love to have a closer relationship with her artist collaborator, Ryo, but how can she count on a man who keeps disappearing with the flimsiest of excuses? Ryo feels the same attraction to Shannon, but he isn’t sure how she’d react to the truth. He’s a kitsune, a fox shapeshifter prone to transforming at awkward moments. When a wannabe wizard follows him to a science-fiction convention, Ryo’s secret, liberty, and budding romance with Shannon are all threatened. “Kappa Companion”: Two years after her husband’s sudden death, Heidi hopes to make a fresh start with a new love and a new home. But she hasn’t planned on sharing her century-old house with her son’s not-so-imaginary friends, a ghost child and a Japanese water monster. At least the creatures aren’t dangerous -- or are they?

 

Excerpt:

 

Just as Val switched off the computer, a yowl from downstairs made her jump with alarm. She scurried to the living room. Her cat, Toby, crouched in the middle of the carpet, his ears flattened and tail lashing. He glared at the corner where the television sat in its niche, flanked by shelves of DVDs. His cry segued into a drawn-out growl she’d never heard from him. She tiptoed closer, reaching out but afraid to touch the fur that bristled along his back. Following the direction of his stare, she asked, “What’s wrong with you? Something behind the TV?”

 

He paid no attention to her. She sidled around him and peered into the corner. With only a single end-table lamp lit on the other side of the room, she couldn’t get a good look. I hope it’s not a mouse. Or, dear God, a snake. Behind her, Toby’s growl modulated into a hiss. She thought she glimpsed movement behind the TV case. Did something rustle? With the cat making so much noise, she couldn’t be sure. There—the electric cords moved as if something had disturbed them. She straightened up and glanced at Toby.

 

He leaped at something that darted from behind the TV. All she saw was a flash of white, gone so quickly it could have been an optical illusion. The cat sprinted through the dining room into the kitchen. Val ran after him. When she got there, she found him in the middle of the linoleum floor, the tip of his tail flicking from side to side and his fur still standing up in a ridge along his spine. She saw no sign of his quarry, though. Naturally, the door leading into the garage was closed. If the fleeing creature, whatever it was, had veered off to the dining room or the den, Toby would have chased it there. With a flashlight, she checked under the stove and behind the refrigerator. Nothing but dust.

 

“Way to go,” she said to the cat. “You flushed out some kind of creepy-crawly and then lost it. Now I have to spend all night worrying if it’s loose in the house.” He sat down and licked his front paws, each in turn, with his ears twitching as if he acknowledged her scolding but couldn’t bother with a response. “Best case, it was just a big, white moth. I could live with that.”

 

After one more scan of the kitchen and a survey of the dining room, just in case, she succumbed to second thoughts and checked the den and laundry room as well. Nothing. In the den, she did notice that the high-backed, rattan papasan chair, another souvenir her grandfather had picked up in Japan, was sitting in the middle of the floor instead of where it belonged. She’d taken photos of it the evening before to compare with online images of furniture of similar origin and age, in case it might be valuable enough to bother selling. Probably she’d repositioned it for better lighting and absentmindedly neglected to move it back. She shrugged at her own flakiness and tugged the chair into its usual corner.

 

After pouring herself a glass of Riesling, she settled on the living-room couch to watch a nature program she’d recorded earlier in the week. Toby curled up next to her with his plumed tail over his nose. She stroked him to calm herself.

 

Halfway through the life cycle of dolphins, she glimpsed movement from the corner of her eye. Is it back? She glanced up and located the disturbance above the fireplace. The two ivory figurines on the mantel, which her grandfather had bought in Japan, the ones she’d been seeking documentation for, twitched their limbs. The dragon spread its lacy batwings and glided to the edge of the hearth. The octopus stretched its tentacles and crept down the fire-guard screen. Toby uncurled his long, fluffy body, flexed his claws, and hissed.

 

Val slowly pulled herself to her feet, clutching the wing-backed end of the couch. “You see that?” she whispered. Maybe that’s what happened to the cat statuette. It got up and walked away, too.

 

The dragon and octopus scrabbled onto the carpet, their respective legs and tentacles clicking like a handful of dice. The cat lashed his tail and hissed again. Her breath caught in her throat. This is not happening. She flapped both hands at the animated figurines. They halted, the dragon’s wings vibrating and four of the octopus’s limbs suspended off the floor. Toby sprang at them. They both skittered up the screen to their places on the mantel.

 

Val collapsed onto the couch, trembling, with her face in her hands.

 

When her pulse slowed, she peeked between her fingers. The dragon and octopus sat in the positions they’d occupied ever since her family had bought the house. Toby jumped onto the cushion beside her and licked his tail. “That didn’t happen, right?” she asked him. He blinked at her. “I dozed off and had a really weird dream.” After her hands stopped shaking, she gulped the rest of her wine, turned off the TV, and went upstairs, where she lay awake staring into the dark until exhaustion silenced the turmoil in her brain.

 

Buy Links (including Goodreads and BookBub):

 

 

 

 

 

 

If you could dress up as anything or anyone this Halloween, what or who would it be and why?

 

An alluring female vampire. Dracula was the first horror novel I ever read, and it introduced me to the entire realm of horror, fantasy, the paranormal, and “soft” SF. I’ve specialized in vampires throughout my writing career.

 

Explain why your featured book is a treat to read:

 

These three light novellas about romances complicated by “fish out of water” creatures from Japanese mythology trying to survive in present-day Maryland will delight fans of spirits and folkloric “monsters” in general and yokai in particular.

 

Giveaway –

 

One lucky reader will win a $100 Amazon gift card.

 

 

Open internationally.

 

Runs October 1 – 31, 2024

 

Drawing will be held on November 1, 2024. 

 

Author Biography:

 

Reading Dracula at the age of twelve ignited Margaret L. Carter’s interest in a wide range of speculative fiction and inspired her to become a writer. Vampires, however, have always remained close to her heart. Her first published book was an anthology of vampire stories she edited, Curse of the Undead. Her work on vampirism in literature includes Dracula: The Vampire and the CriticsThe Vampire in Literature: A Critical Bibliography, and Different Blood: The Vampire as Alien. She holds a PhD in English, and her dissertation contained a chapter on Dracula. In fiction, she has written horror, fantasy, and paranormal romance on vampires, werewolves, Lovecraftian entities, and other “monsters.” Her stories have appeared in various webzines and anthologies, including several of Marion Zimmer Bradley’s Darkover and Sword and Sorceress volumes. Her vampire novels include Dark Changeling and its sequel, Child of Twilight, now available in an omnibus edition, Twilight’s Changelings, as well as several vampire romances. With her husband, Leslie Roy Carter, a retired naval officer, she co-authored a fantasy series beginning with Wild Sorceress. Her recent novellas include a Christmas paranormal romance, Chocolate Chip Charm, a spring-themed contemporary fantasy, Bunny Hunt, and a Victorian Christmas romance, A Ghost in the Green Bestiary. Her most recent novel, Against the Dark Devourer, is a dark paranormal romance with Lovecraftian elements. She and Les, who live in Maryland, have four children and numerous grandchildren and great-grandchildren. Please explore love among the monsters at Carter’s Crypt: http://www.margaretlcarter.com

 

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